CINEOS

The Frame

Good Time

2017 · Safdie Brothers · USA

One long, panicked New York night as a man tears through the city to save his brother — destroying everyone he touches, most of all the person he loves.

Watch for

Things to notice

Not a summary. What the film keeps returning to, so you can see it when it comes.

Crossing Over

Every scene turn is literally a crossing — doors, hospital corridors, emergency exits — movement through thresholds drives the film's grammar and each crossing raises or collapses stakes.

What's Shown, What's Hidden

Neon, fluorescent, and phone-screen light carve faces out of darkness throughout; the light sources are always artificial, always temporary, always about to go out.

Almost

The brothers reach for connection — Connie for Nick, Nick for stability — and every near-contact is intercepted by circumstance, formalizing their inability to actually protect what they love.

The Signature

Five of twenty readings. Sign in to open all of them, with the sentence behind each one.

Plot DNA

Time Flow
Strictly linearHeavily non-linear
Real vs. Surreal
Grounded realismFull abstraction/surrealism
People vs. Systems
Purely personal conflictSystemic/structural conflict
Life's Big Questions
No existential concernDeeply existential

Emotion Topology

Body Tension
Comfortable viewingPhysically tense/uneasy

Rhymes With

A double bill: three films that keep this one company, and one that answers it from the far side. Read across all twenty readings at once, never a genre tag.

Before you press play

Questions people ask

Does the title mean it's a fun watch?
The title is a bitter joke. This is a hundred minutes of mounting panic — thrilling, yes, but the kind that leaves you rattled rather than entertained.
Am I supposed to like Connie?
No, and the film knows it. It hooks you into his momentum so completely that you catch yourself cheering for a man who wrecks everyone near him — and then makes you sit with that.

The Ledger

Country
USA

This product uses the TMDB API but is not endorsed or certified by TMDB. Facts and plate data are display-only and are never used as an input to what CINEOS writes.